1975 was the last year in which one may say the majority of progressive rock bands released amazing music, though one may begin to see the cracks in the wall. In 1976, the fall more deeply began. While there continued to be great progressive rock albums released, they were simply not as great overall as what had occurred during the six years before. Here is my decidedly not-chronological list of the progressive rock albums released in 1975, fifty years ago this coming year, 2025:
Gentle Giant, "Free Hand." This was released in the summer of 1975--and I was in heaven when I first heard it. This album became GG's most economically successful and popular album, though it received almost no airplay from nearly any then popular FM radio stations (WNEW-FM in NYC barely played it. The others, not at all).
Renaissance, "Scheherazade." Perhaps my favorite overall album from this band. Renaissance's instrumental sound led with their keyboardist, with the ever-amazing Annie Haslam at lead vocals. The band has had a high mortality rate with the lead bassist, Jon Camp, dying last month. I think of the main members, the only survivors are Annie Haslam and the drummer, Terry Sullivan. Just start with "A Trip to the Fair" on this one, though, and let it roll.
Camel, "The Snow Goose." This is Camel's greatest album as well. It is an instrumental, with some nonword choral vocals. And it is one continuous track. The music on the album was inspired by the late, underrated author, Paul Gallico's book of the same name. Sadly, Gallico's estate successfully sued Camel for copyright infringement to grab a big portion of what would be Camel's best selling album of their entire career as a band. I have read and love several of Gallico's books, including "Snow Goose" which was a novella, not a full-on novel. But, his estate acted badly and morally wrongly in my view. I also wonder about whether the lawsuit was even proper under a Nimmer-based copyright law philosophy. For me, specifically, I thought it was odd because Camel did not do anything more than identify the characters. Most importantly, there were no quotes from the book in the recording. Anyway, this remains a wonderful album and well worth the listen.
Pink Floyd, "Wish You Were Here." Yeah, we all should know this album. Or at least know OF this album. Just. Listen.
Kansas, "Song for America" and "Masque." Kansas released two amazing albums in one year! Both are well worth the listen, too. Some criticized then and now "Masque" for being too much a likeness in sound to "Song for America." That is correct, but who gives a damn? To me, this is like a double album released with seven months of separation. Just take it, people! Two great albums!
Jethro Tull, "Minstrel in the Gallery." This remains an under-appreciated album, and one where Tull or more precisely Ian Anderson was closest to his British folk tradition to date. He would return to that strong British folk in "Song from the Wood" (1977), which I consider Tull's last truly great album. This album, "Minstrel," has some great tracks, including the title track, and "One White Duck on the Wall."
Van der Graaf Generator, "Godbluff." I was more happy that VDGG had gotten back together than in love with this album when it was released. It is amusing to me that this album has grown tremendously on me, and I find myself returning more and more to it over the years. I mean, "Sleepwalkers" alone makes it a keeper in one's collection. It is an album more commercially-oriented, but not enough for FM radio program directors. Somehow Johnny Rotten aka John Lydon found it and loved it. There is a punk element to the sound, I will admit.
Kayak, "Royal Bed Bouncer." This band, from the Netherlands, was the essence of prog-power-pop. This was perhaps their most complete album, starting with the wild, funny title track which opens the album. How this didn't break through, I can never understand. Ton Sherpenzeel remains for me one of the most interesting pop oriented composers of the era.
Hatfield and the North, "Rotter's Club." This is an awesome album, the second from this famed Canterbury band. The band would later change its name, and restore most of the lineup except for vocalist/bassist Richard Sinclair, as National Health, which produced three amazing albums. One can hear the development of this jazz-tinged, classically-oriented, progressive rock sound in "Rotter's Club," and of course the British-oriented humor throughout, including the names of the mostly instrumental songs on the album. A must hear for those who have studied the language and sound we call "music." It is not for the regular non-musically inclined.
Soft Machine, "Bundles." Another Canterbury band, with a most underrated and wonderful album to listen to over the years.
Goblin, "Profundo Rosso." An album I did not hear until years and years later, and I went, "Oh, wow! This is really great!" An Italian band. In 1975, the only Italian band I had ever been able to hear in those pre-YouTube and pre-Internet days was PFM. See next listing...
Premiata Forneria Marconi (PFM), "Chocolate Kings." This is an awesome album, especially lyrically on the title track. It is the band's thanks to the United States, and wondering just what the hell was already starting to go wrong in our nation. The entire album is worth a listen, though I don't know why the band allowed for such a muddy recording. It lacked the crispness of the previous recordings from the band, and I just don't get it. But, the music remains compelling and is still great to listen.
Chris Squire, "Fish Out of Water." I was not interested in this album from Yes' founding bassist when it was released. I recently started hearing different tracks in rotation on Pandora and kept saying to myself, "My God! This is great!" My son has long said, "Dad, how did you not like this album? This is a great album!" And it is. I apologize to the late Chris Squire.
Rick Wakeman, "....King Arthur." I think I was put off to not really listen to Squire's record because I found Wakeman's album so awful. I had such hope for Wakeman's second solo effort because his "Six Wives of Henry the Eighth" remains simply amazing. It holds up so well from its 1973 release. But, this album could stand in for what too many anti-progressive rock music writers call the "excesses of progressive rock."
Another Yes member, Steve Howe, released his solo effort in 1975, "Beginnings," and I was surprised at how dull I found the album. It has not improved in age, I must admit.
Steve Hackett, "Voyage of the Acolyte." This is another album I did not appreciate upon its release. It is from Genesis' guitarist during their heyday of progressive rock love, from 1970 through 1977. Hackett released this out of growing anger at not having his songs included in Genesis albums, and in the wake of Peter Gabriel leaving the band. It is well worth the listen in its entirety from progressive rock fans who were not born during this period.
Frank Zappa, "One Size Fits All." This is not a favorite Zappa/Mothers album, particularly after the two great albums from 1974, "Apostrophe" and "Roxy and Elsewehere". Even though it has essentially the same lineup from 1974, I just didn't find the album's melodies all that enticing. Yes, there is "Inca Roads," and "Sofa No. 2," but even those pale in comparison to the songs/compositions on the previous two albums. Again, this is where progressive rock as a genre begins to fall off in terms of the main bands.
Esperanto, with members from the UK, Europe, and Australia, had largely a dud album in 1975, "Last Tango." However, the band's wild version of "Eleanor Rigby" remains a must-hear for the musically-inclined. If not, stay away. Very much away! LOL. But, I love it! Here it is, and note one will not hear the Beatles' melody until nearly the 2:45 minute mark.
Brian Eno, "Another Green World," "Discreet Music," and with Robert Fripp of then recently ended King Crimson, "Evening Star". None of these albums appealed then or now to me. Too much getting into John Cage territory, which reads well as an idea, but I find, well, dull.
Led Zeppelin, "Kashmir." Zep was never really a prog band, but this album was certainly, in the parlance, "proggy," particularly the title track. It may be my favorite single song Zep ever recorded, except for "Stairway to Heaven," but I have never been a big Zep fan. Sorry. It is just a matter of taste, not a lack of respect for what is inarguably one of the most iconic bands, post-Beatles. I definitely recognize and respect that singular fact.
There were two albums from Rush in 1975, which band I admit I have never enjoyed (Heavens! LOL). These are Rush's classic albums, "Fly By Night" and "Caress of Steel." I feel the same with the band, Triumvarat, which in 1975 released "Spartacus," arguably their best album--though one I don't find compelling in any event.
There were also releases from progressive rock bands beyond the UK and US, which I didn't know at the time, but heard through my son, and really like a lot. These are bands such as Germany's Eloy ("Power and the Passion"), Chile's Los Jaivas ("El Indio"), another Italian band, Area ("Crac!"), Brazil's O Terco ("Criaturas de Noite") and Casa das Maquinas ("Lar da Maravihas"), among others. It remains a deep cultural tragedy that in those days, it was nigh impossible for progressive rock fans in the US to hear these amazing bands from other continents.
The great Italian progressive rock band, Banco del Mutuo Soccoso, also had an English-oriented release in 1975, mostly their previous albums' tracks but in English. I didn't hear it then, and hearing it now, I say stick with the original Italian versions. Banco was outstanding!
THE SEMI-PROGRESSIVE ROCK ALBUMS OF 1975
1975 saw a flowering of the semi-progressive rock bands. It is weird to think how reviled progressive rock was in the pages of the Village Voice, Rolling Stone, etc. and, when not ignored by most mainstream newspapers, reviled by Robert Hilburn in the LA Times and John Rockwell in the NYT. Yet these semi-prog bands appeared, as if to say maybe there was a larger audience for music with a sense of musical theory and composition. It is funny that I had thought Foreigner would be included in this list of bands releasing albums in 1975. However, Foreigner formed in 1976, and the band initially included Ian MacDonald of the original King Crimson. This gave the band a more progressive edge than most of the bands which follow on this list, though certainly not enough progressive structures for me, I admit.:) Anyway, here are the semi-prog bands releasing major albums in 1975:
Queen, "Bohemian Rhapsody." Yup, that album. I place this in the progressive-oriented category, as it was. What was always deeply frustrating to me is that this album got into regular airplay, but the other progressive bands, whether that is Camel, Gentle Giant, Renaissance, etc. never could. But, the title track remains one of the most iconic tracks/songs of the 1970s classic rock era.
Journey, "Journey." Yes, Journey began life as a progressive-oriented pop band. I heard a track from this album recently, and it was decent to good. I remember when they arrived on the scene, and, how, by the next year, they went fully into the ersatz-prog category with Styx and Boston--and eventually Toto. I think, though, Journey became even more associated with pop rock of the period than any of those bands. This means, too, that non-musically interested female Boomers began to love Journey in a way that still alienated me, musically-speaking, from most women my age over the decades. LOL.
Nektar, "Recycled." Their most progressive-oriented album, but still in that Styx and Boston mode. Not sure it is worth the listen in 2025 unless one listens first to the rest of the albums listed here.
Ambrosia, "Ambrosia." Another band, as with Nektar, which tried but failed to effectively combine progressive elements with pop music. I don't think Ambrosia pleases most progressive rock fans, and normie folks still think, "This is too weird for me."
Billy Joel, "Turnstiles." Yes, this has several progressive-oriented tracks. Just listen to "Prelude/Angry Young Man" and "Summer, Highland Falls." If one knows and says the latter song is not progressive in orientation, then listen to this acoustic version Joel did of the latter song at the National Press Club back in 2008. It is definitely progressive-oriented, akin to a King Crimson soft-ballad type of song (examples of Crimson soft songs include "I Talk to the Wind", "Book of Saturday" and "Matte Kudasai") Joel had progressive credentials before going pop. In 1970, he, along with the extraordinary drummer Jonathan Small, made an album under the band name, "Attila". It is an album Joel has continually disparaged for what may be personal reasons, as I think Joel ran off with Small's wife, or vice-versa. Hard to recall right now. In any event, "Atilla" remains a great progressive-blues album much neglected in our musical oriented world. As I like to say to people, listen to this final or last track from the album. Very progressive. Various songs on "Turnstiles" and then Joel's later "Scenes from an Italian Restaurant" from "The Stranger" in 1977 are definitely progressive-oriented, and more so than most of the bands listed in this section.
ELO SELLS OUT TO PURE POP AND BECOMES A SUPERSTAR BAND SPANNING DECADES:
Electric Light Orchestra, "Face the Music." Man, I had to face the music that ELO had completely left progressive rock which defined its first three albums. The band's 1974's "Eldorado" was the beginning of the trend that would send ELO into regular folks' orbits, not music for us weird music freaks--or as I liked to write during that decade, music "phreaks." I will always remember a high school friend in our first year at Rutgers who, seeing my face, after I had brought the album I just purchased to another friend's dorm so I could hear what I purchased, kept laughing, pointing at me, and taunting: "Freedman's band sold out! Ha-ha!" That last part is what was to become a Nelson Munz "har-har" if one knows the Simpsons show that would not appear for another 13 years or so. It is very funny to recall that moment!
FINAL THOUGHTS:
As one may see by my commentaries next to the band names and album releases, 1975 was, for me at least, a mixed year. I may have missed some bands, such as Curved Air or Caravan. However, I admit the 1975 released albums from Curved Air or Caravan have not grown on me, either since their releases or through the present. Still, when one considers the output of progressive rock music from 1969 through 1975, and even through the rest of the decade, one should remain amazed at how brilliant the music was, and how often, lyrically, these bands do not get the credit they deserve. Not always of course, with Yes leading the caveats. But, certainly, Gentle Giant, Genesis, Jethro Tull, and PFM leading the way, along with Renaissance, in writing intelligent and creative lyrics.
Sigh. Fifty years: 1975-2025. I am not sure I could even imagine 2025 back in 1975.